汉唐时期胡乐书写中的身份认同与民族交融  

Identity Recognition and Ethnic Integration in the Writings of Hu Music during the Han and Tang Dynasties

作　　者：周杨 ZHOU Yang

机构地区：[1]厦门大学历史与文化遗产学院,厦门361005

出　　处：《西北民族研究》2025年第2期88-99,共12页Journal of Northwestern Ethnic Studies

基　　金：国家社会科学基金青年项目“汉唐时期丝绸之路音乐文物综合研究”(编号:20CKG026)的阶段性成果。

摘　　要：汉唐史料中有大量关于胡乐的书写,“胡乐”概念的内涵与外延随时代语境的嬗变而呈现动态特征。系统梳理这一时期多元文本中的相关记载,可以发现,胡乐书写本质上是时人基于地域分野、族属差异及文化传统对边疆音乐体系作出的认知性分类。此类书写从时人的政治身份认同、民族身份认同和社会身份认同三个方面反映出他们的身份认同。这种认同体系的形成,以丝绸之路沿线各民族交往交流为历史基底,以各民族文化交融为动力,在物质文化层面、社会风尚层面以及传统礼俗层面展现了胡乐融入华夏传统文化的复杂过程。深化对汉唐胡乐书写的认识,为理解中华民族共同体形成过程中音乐元素的互鉴规律提供了重要认知路径。In the historical materials of the Han and Tang dynasties,there is a large amount of writing about"Hu music",whose connotation and extension exhibit dynamic characteristics with the evolution of the contemporary context.By systematically combing through the relevant records in diverse texts of this period,it can be found that the writing of"Hu music"is essentially a cognitive classification of the foreign music system made by people of that time based on geographical divisions,ethnic differences,and cultural traditions.Such writing reflects the identity recognition of people of that time from three aspects:political identity,ethnic identity,and social identity.The formation of this identity recognition system is based on the ethnic exchanges along the Silk Road as the historical foundation,with the integration of ethnic cultures as the driving force,and demonstrates the complex process of Hu music's integration into the Chinese tradition at the levels of material culture,social fashion,and traditional etiquette and customs.Deepening the understanding of the writing of"Hu music"in the Han and Tang dynasties provides an important cognitive path for understanding the mutual-learning laws of musical elements in the formation process of the Chinese nation community.

关 键 词：胡乐 民族融合 中华民族共同体 

分 类 号：C953[社会学—民族学]