宋代陶瓷美学在花器设计中的转译研究——极简主义与文人意境的当代表达  

Translation Study of Song Dynasty Ceramic Aesthetics in Flower Design——Minimalism and Contemporary Expression of Literary Imagery

作　　者：肖仙霞 Xianxia Xiao(School of Fine Arts,Shandong University of Technology,Zibo,Shandong 255000)

机构地区：[1]山东理工大学美术学院,山东淄博255000

出　　处：《中华传统文化研究》2025年第1期23-25,共3页

摘　　要：在当代设计领域,花器设计不断追求创新与文化内涵的融合。宋代陶瓷以其独特的极简主义风格与深邃的文人意境,在中国陶瓷史上独树一帜。本文旨在深入探究宋代陶瓷美学在花器设计中的转译路径,通过剖析宋代陶瓷美学特征,结合当代花器设计需求与趋势,从造型、装饰、意境营造等方面提出转译原则与方法,并通过设计实践与案例分析进行验证。期望借此丰富花器设计的文化表达,为传统美学在现代设计中的传承与创新提供新思路,满足当代消费者对兼具文化底蕴与现代审美的花器需求。In the field of contemporary design,floral design constantly pursues the integration of innovation and cultural connotation.Song Dynasty ceramics stand out in the history of Chinese ceramics due to their unique minimalist style and profound literary atmosphere.This article aims to explore in depth the translation path of Song Dynasty ceramic aesthetics in floral design.By analyzing the characteristics of Song Dynasty ceramic aesthetics and combining them with contemporary floral design needs and trends,translation principles and methods are proposed from the aspects of shape,decoration,and artistic conception creation,and verified through design practice and case analysis.We hope to enrich the cultural expression of floral design through this,provide new ideas for the inheritance and innovation of traditional aesthetics in modern design,and meet the needs of contemporary consumers for floral designs that combine cultural heritage and modern aesthetics.

关 键 词：宋代陶瓷美学 花器设计 极简主义 文人意境 

分 类 号：J527[艺术—艺术设计]