德语表现主义小说中的中国题材与中国故事  

Exploring Chinese Themes and Stories in German Expressionist Fiction

作　　者：陈多智 Chen Duozhi

机构地区：[1]山西大学外国语学院

出　　处：《国际汉学》2025年第2期81-97,158,共18页International Sinology

基　　金：教育部人文社会科学研究青年基金项目“‘总体艺术作品’与德语表现主义的跨媒介研究”(项目编号:23YJCZH011);山西省回国留学人员科研资助项目(项目编号:2024-028)的阶段性成果。

摘　　要：目前,诸如“卡夫卡与中国”“布莱希特与中国”“黑塞与中国”等个案研究已是20世纪中德文学关系领域的“显学”。但鲜为人知的是,德语区在1904—1931年曾涌现出四十二篇涉及中国题材的表现主义小说,这一富有研究价值的群体创作现象却罕有人问津。本论文在爬梳散逸文献的基础上,尝试将这批小说分为三个类型,并以此为切入点,力图展现德语表现主义中国题材小说全貌,进而揭示这批表现主义者选取中国素材的动因。At present,studies such as Kafka and China,Brecht and China,Hesse and China have become firmly established within the discourse on twentieth-century Sino-German literary relations.In contrast,it is comparatively less known that,from 1904 to 1931,forty-two Expressionist novels addressing Chinese themes were produced in the German-speaking world.Despite their significance,these texts have rarely been the focus of scholarly attention.Based on dispersed and overlooked literatures,this article categorizes these novels into three distinct types and employs this classification as a framework to present a comprehensive analysis of German Expressionist works centered on Chinese themes.Furthermore,it reveals the underlying motives that led these expressionists to select these Chinese themes.

关 键 词：德语表现主义小说 中国题材 中国故事 

分 类 号：I106.4[文学—世界文学]