文艺复兴背景下《新怪诞书》的艺术传承与创新  

The Artistic Inheritance and Innovation of the Neuw Grottessken Buch under the Background of the Renaissance

作　　者：房炯铭 Fang Jiongming

机构地区：[1]中国美术学院绘画艺术学院

出　　处：《美术观察》2025年第4期55-57,共3页Art Observation

摘　　要：16世纪,德国版画家克里斯托弗·贾姆尼策创作的蚀刻版画合集《新怪诞书》基于文艺复兴末期的装饰风格,并融合了古罗马时期“金屋”壁画中的怪诞元素与自然形态,发展出独特的软骨风格。这一合集揭示了晚期矫饰主义和早期巴洛克的艺术特征,充分展示了宇宙观与奇观的结合,同时也体现了创作者对自然与想象力的探索及其艺术创新精神。In the 16th century,the etching print collection Neuw Grottessken Buch created by German printmaker Christopher Jamnitzer was based on the decorative style of the late Renaissance and integrated bizarre elements and natural forms from the“Golden House”murals of ancient Rome,developing a unique cartilage style.This collection of prints reveals the artistic features of late Mannerism and early Baroque,fully showcasing the combination of cosmology and spectacle,while also reflecting the creator's exploration of nature and imagination and their artistic innovation spirit.

关 键 词：《新怪诞书》 怪诞 软骨风格 矫饰主义 

分 类 号：J205[艺术—美术]