“极少主义”之前——罗伯特·莫里斯的物体雕塑实践与艺术观念  

Before Minimalism——Robert Morris's Practice and Artistic Concept of Object Sculpture

作　　者：张新文[1] Zhang Xinwen

机构地区：[1]山东艺术学院美术学院

出　　处：《美术观察》2025年第4期58-61,共4页Art Observation

摘　　要：本文以极少主义代表艺术家罗伯特·莫里斯1960年至1965年制作的物品类型小雕塑为主要考察对象,探索观念主义与形式主义艺术是如何在莫里斯的早期作品中汇流,并形成极少主义艺术观念的。其中包括对于杜尚“现成品”观念的创造性探索以打破形式主义艺术的先验秩序、对于激浪派事件观念与过程艺术的雕塑转换以及生成极少主义身体性与时间性的观念维度。对于莫里斯20世纪60年代上半期的小雕塑创作考察,为理解极少主义观念来源的复杂性提供了启示。This paper takes the small-scale object sculptures created by the representative minimalist artist Robert Morris from 1960 to 1965 as the main research object,exploring how conceptualism and formalism converged in Morris's early works and formed the minimalist artistic concept.This analysis includes the creative exploration of Duchamp's“readymade”concept to break the a priori order of formalist art;the transformation of Fluxus event concepts and process art into sculpture;and the generation of the minimalist concept dimensions of corporeality and temporality from this.The investigation of Morris's small-scale sculpture creation in the first half of the 1960s provides enlightenment for understanding the complexity of the sources of minimalist concepts.

关 键 词：极少主义 罗伯特·莫里斯 物品雕塑 现成品 

分 类 号：J305[艺术—美术]