中国画写意观念嬗变与创新初探  

Research on the Transformation and Innovation of the Freehand Brushwork Concept in Chinese Painting

作　　者：卢攀攀 卢凡凡 Lu Panpan;Lu Fanfan

机构地区：[1]安徽师范大学美术学院 [2]德国科特布斯勃兰登堡工业大学

出　　处：《美术观察》2025年第4期100-102,共3页Art Observation

摘　　要：写意作为中国艺术精神的一个重要方面,写意传统是革新者思想、技术、材料各方面不可或缺的资源。本文通过对中国古代具有代表意义的写意理论进行分析,从中得以窥见传统与现代、东方与西方在当代形成的错综复杂的艺术面貌。运用文化研究的多种方法,以文化形态为视角重新建构写意理论。在现今中国画疏离写意精神的形势之下,对写意理论的重新研究和发掘得以发现,材料并非艺术的重点,唯有思想能够承担绘画的责任。As an important aspect of the Chinese art spirit,the tradition of freehand brushwork serves as an indispensable resource for innovators in terms of ideas,techniques,and materials.Through an analysis of freehand brushwork theory in ancient China,we are able to glimpse the intricate and complex artistic landscape formed by tradition and modernity,East and West in contemporary times.By applying various methods of cultural studies,we will reconstruct the theory of freehand brushwork from the perspective of cultural forms.In the present situation where Chinese painting is alienated from the spirit of freehand brushwork,the re-study and exploration of the theory of freehand brushwork must involve a rediscovery that material is not the focus of art,but only thought can assume the responsibility of painting.

关 键 词：写意 继承 创新 

分 类 号：J212[艺术—美术]