郅敏:乘物以游心——东方哲学视域下雕塑语言的本土化建构  

Zhi Min:Transcending through Things——The Localization of Sculptural Language within the Framework of Eastern Philosophy

作　　者：孙宇 Sun Yu

机构地区：[1]湖北美术学院雕塑与公共艺术学院

出　　处：《美术观察》2025年第4期130-133,共4页Art Observation

摘　　要：郅敏的雕塑是东方哲学的物态存在,映射出具有诗人般浪漫色彩的中国哲学思维。自2015年起,郅敏对中国传统文化理念展开深入探索,致力于将中国优秀传统文化进行现代转化,由此创作了“二十四节气”系列、“河图洛书”系列及《鸿蒙》等作品,他通过对本土语言的挖掘和重构,构建了一种基于东方物质观和时空观的艺术表达方式,通过对材料语言的重构与空间意境的创新,将物的形态、情感与精神内涵化为雕塑语言,展现出一种在物质与精神之间自由游走的哲学表现。Zhi Min's sculptures embody Eastern philosophical thought,offering a poetically inspired interpretation of Chinese philosophy.Since 2015,Zhi Min has delved deeply into traditional Chinese cultural concepts,seeking to reinterpret and modernize China's artistic heritage.This inquiry has led to a series of works,including“The Twenty-Four Solar Terms”,“Hetu Luoshu”,and Hongmeng.By reinterpreting and reconstructing indigenous artistic languages,Zhi Min develops a distinctive sculptural vocabulary rooted in Eastern conceptions of materiality,space,and temporality.Through an innovative synthesis of material language and spatial aesthetics,his work transforms the form,emotion,and metaphysical essence of objects into sculptural discourse,presenting a dynamic interplay between the tangible and the transcendent.

关 键 词：郅敏 当代雕塑 陶瓷 庄子 中国哲学 

分 类 号：J305[艺术—美术]