中国西部电影40年创作与理论互动反思  

Reflection on the Interaction Between 40 Years of Creation and Theory in Chinese Western Cinema

作　　者：张阿利[1] 苗学慧 ZHANG Ali;MIAO Xuehui(Faculty of Liberal Arts,Northwest University,Xi’an Shaanxi 710127,China)

机构地区：[1]西北大学文学院,陕西西安710127

出　　处：《南都学坛》2025年第3期43-49,共7页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

基　　金：陕西省电影评论和电影理论研究基地中国西部电影研究基地、陕西省社会科学基金版本理论研究专项项目“西部电影版本整理与研究”(项目编号:2023BB01)。

摘　　要：从1984年至今,中国西部电影已经走过了40年的发展历程,这是中国电影乃至世界电影艺术中少有的有着明确生日的电影思潮。在40年的发展历程中,中国西部电影在创作与理论的激荡互动中缔造出了中国电影史上的重要篇章。40年来,中国西部电影在每一个发展阶段都显现出创作与理论交互催生的特有现象。从早期的理论争鸣与身份确立,到创作领域的蜚声国际,再到新西部电影的理论探索和西部类型片的发展,中国西部电影40年的发展史也是理论与创作的关系史。From 1984 to the present,Chinese western cinema has traversed a 40-year development trajectory.This is a rare film movement in Chinese cinema and even global cinema that has a clearly defined origin.Over these four decades,Chinese western cinema has forged an important chapter in the history of Chinese cinema through the dynamic interaction between creative practice and theoretical discourse.Throughout its 40-year history,Chinese western cinema has exhibited distinctive phenomena of interaction between creation and theory at each stage of its development.This journey began with early theoretical debates and the establishment of its identity,progressed to gaining international acclaim in the realm of film production,and later moved into the theoretical exploration of New Western cinema and the development of western genre films.Thus,the 40-year history of Chinese western cinema is simultaneously a history of the relationship between theory and creative practice.

关 键 词：中国西部电影 电影创作 电影理论 

分 类 号：I235[文学—中国文学] C912.67[经济管理]