基于电影叙事的钟惦棐电影理论及其现实意义  

Zhong Dianfei’s Film Theory Based on Film Narration and Its Practical Significance

作　　者：王彦霞 WANG Yanxia(School of Arts,Beijing Union University,Beijing 100101,China)

机构地区：[1]北京联合大学艺术学院,北京100101

出　　处：《南都学坛》2025年第3期50-56,共7页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

基　　金：国家社会科学基金项目“习近平总书记关于文艺思想的理论框架研究”(项目编号:17BZW053)。

摘　　要：电影理论家钟惦棐强调“用社会科学来了解社会,改造社会,进行社会革命”,他提出“电影的锣鼓”“西部片”等理论主张,并身体力行,理论与实践相结合,为新中国电影事业做出了重大贡献,在电影管理、电影与人民的关系、电影叙事等方面都功不可没。在如今纷繁复杂的国际国内环境中,我们仍需要在钟惦棐电影理论指导下,探索以电影“讲好中国故事”的新途径。Film theorist Zhong Dianfei emphasized the importance of“using social sciences to understand society,transform society,and carry out social revolution.”He proposed theories such as“film gongs and drums”and“Chinese western films,”and actively put them into practice.By combining theory with practice,he made significant contributions to the film industry of New China,particularly in film management,the relationship between cinema and the people,and film narration.In today’s complex international and domestic environments,it remains crucial to explore new ways to“tell Chinese stories well”through film creation,guided by Zhong Dianfei’s film theory.

关 键 词：钟惦棐电影理论 理论与实践相结合 西部电影 中国故事 

分 类 号：I235[文学—中国文学] C912.67[经济管理]