日本“后3·11”女性文学的反乌托邦书写  

The Dystopian Writing of Japanese “Post-3·11” Women's Literature

作　　者：郭燕梅 肖霞[1] GUO Yan-mei;XIAO Xia

机构地区：[1]山东大学外国语学院,山东济南250100 [2]山东政法学院外国语学院,山东济南250014

出　　处：《外语导刊》2025年第2期141-148,F0003,共9页Foreign Languages Bimonthly

基　　金：教育部人文社会科学研究规划基金项目“21世纪日本文学主题研究(2000—2018)”(18YJA752003)。

摘　　要：日本“后3·11”文学以“3·11”大灾难为背景,直击灾后社会,回应危机,反思人性的脆弱与现代文明的弊病。在“后3·11”文学中,许多女性作家的作品通过具有科幻性质的反乌托邦书写,描绘了震灾、核污染、瘟疫等灾难造成的危机景象,揭示并批判了由此暴露出的极权主义盛行、自由丧失、伦理失序的社会现实。这类作品从灾后末日图景的呈现入手,对现有社会体制及灾后各种政治举措展开批判,并通过颠覆式想象揭示了反乌托邦社会生命政治的荒诞和虚无,体现了“后3·11”文学烛照现实、警示未来、关切生命的文学价值。Taking the "3·11" disaster as the background,Japanese "post-3·11" literature directly exposes the postdisaster society,responds to the crises,and reflects on humanity and modern civilization.With the help of dystopian writing with sci-fi characteristics,many female works emerging in the "post-3·11" literature depicts the crises caused by earthquakes,nuclear pollution,plagues and other disasters with the revelation and criticism of the darkness and absurdity of dystopian society with the prevalence of totalitarianism,the decay of freedom and the disorder of ethic.This kind of work goes from post-disaster crisis imagination to political criticism,and then pays attention to human issues,reflecting the literary value of "post-3·11" women's literature that illuminates reality,warns the future,and cares for the life.

关 键 词：“后3·11”文学 反乌托邦书写 日本女性文学 生态危机 极权政治 生命政治 

分 类 号：I313.074[文学—其他各国文学]