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作 者:王浩伦 王贵禄 WANG Hao-lun;WANG Gui-lu(School of Literature and Cultural Communication,Tianshui Normal University,Tianshui,Gansu 741001)
机构地区:[1]天水师范学院文学与文化传播学院,甘肃天水741001
出 处:《泰山学院学报》2025年第1期89-94,共6页Journal of Taishan University
摘 要:20世纪40年代,继承民间文化资源、借鉴民间形式的叙事诗代表了解放区诗歌的最高成就。解放区的叙事诗创作被纳入了推动革命事业发展的轨道,某种程度上扮演了“教育农民”的角色。诗人在走向农村的过程中受到民间文化的熏陶,诗歌在传达“革命”要求的同时,也具有了生动活泼的民间因素。因此,解放区叙事诗呈现出独特的民间表达形式:诗人们采用民间流行的叙事方式,诗歌内容承载了解放区时期独有的民间记忆,展现了广大农民朴素的民间意识。In the 1940s,narrative poetry,which inherited folk resources and borrowed folk forms,represented the highest achievement of poetry in liberated areas.Under the inspiration of ideology,the creation of narrative poetry in liberated areas was incorporated into the track of promoting the development of revolutionary cause,and played the role of"educating peasants"to some extent.The poets were influenced by folk culture in the process of going to the countryside,and the poems not only conveyed the demands of"revolution",but also had lively folk factors.Therefore,the narrative poetry of the liberated area presents a unique form of folk expression:the poets adopt the popular narrative mode of the folk,the narrative content carries the unique folk memory of the liberated area,and shows the simple folk consciousness of the majority of farmers.
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