“物”与“景”:理解张楚的两个面向  

"Objects"and"Scenes":Two Perspectives for Understanding Zhang Chu

作　　者：曹霞 Cao Xia

机构地区：[1]北京外国语大学中国语言文学学院,北京100089

出　　处：《中国文学批评》2025年第2期30-36,M0003,M0004,共9页Chinese Journal of Literary Criticism

基　　金：中央高校基本科研业务费专项资金资助项目“中国现当代文学批评的资源路径与演进机制研究”(2024JJ009)阶段性成果。

摘　　要：在张楚20余年的创作历程中,有两个重要的叙事面向:“物”与“景”。他通过对物象的选择与塑形,以“轻”写“重”,以“光”写“暗”,以“喜”写“悲”,辩证性地实践着“物”的诗学,并使之与主人公的精神困境形成同构。在“景”的书写中,早期张楚多写自然风景,后期转向城镇景观。在“景”的建构路径上,则由“视觉”叙事转向了“知觉”叙事,即通过视觉、嗅觉、味觉、听觉、触觉的多维交错建构起了一个丰饶斑斓的“感官世界”,“景”的美学风格也从“干净明亮”走向了“和光同尘”。综观之,从“驭物”到“绘景”,从写内心之困到“世界美如斯”的展现,张楚实践了也完成了从“精神现象学”到“知觉现象学”的范式嬗变。Objects"and"scenes"are two crucial narrative perspectives of Zhang Chu.Through the selection and shaping of objects,he employs a dialectical approach in practicing the poetics of"ob-jects,"writing about""weighty matters""with""lightness,"""darkness"with"light,"and"sorrow"with"joy,"creating an connection with the spiritual dilemmas of the protagonists.In his descriptions of"scenes,"Zhang Chu initially focused on natural landscapes,later shifting to urban and rural landscapes.In terms of the construction of scenes,his narrative mode evolved from a"visual"one to a"perceptual"one.That is,through the multi-dimensional interweaving of vision,smell,taste,hearing,and touch,he constructed a rich and colorful""sensory world.The aesthetic style of scenes transformed from clean and bright to"be in harmony with the world."Overall,from"manipulating objects"to"depicting scenes,"and from portraying inner dilemmas to presenting"a beautiful world,"Zhang Chu has both practiced and accomplished a paradigmatic transformation from"phenomenology of spirit"to"phenomenology of perception.

关 键 词：张楚 《云落》 “物” “景” “知觉现象学” 

分 类 号：I207.22[文学—中国文学]