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作 者:邱跃强 王杰[1] QIU Yueqiang;WANG Jie
出 处:《民俗研究》2025年第2期18-26,157,共10页Folklore Studies
基 金:教育部哲学社会科学重大攻关项目“马克思主义美学话语体系的历史演变和范式转换研究”(项目编号:22JZD005)的阶段性成果。
摘 要:民歌作为中国式现代化中的重要文化资源,承载着中国人民的情感、历史和文化,是中华民族独特的艺术表达形式。在建设人类命运共同体和情感共同体的过程中,民歌及其文化机制发挥着十分重要的作用。新时代下,民歌如何传承与发展是一个应予以认真思考的问题,需要对中国式现代化视域下民歌的现状加以梳理和探究,并进行相关的理论建构。唯此,方能使民歌成为中国式现代化中的动力源泉,才能使民歌得以实现创造性转化和创新性发展。As an important cultural resource in the process of Chinese-style modernization,Chinese folk songs have irreplaceable value and significance.They carry the emotions,history,and culture of the Chinese people,representing a unique form of artistic expression of the Chinese nation.In the process of building a community of mankind and a community of emotions,Chinese folk songs and their cultural mechanisms play a very important role.Under the new historical conditions and era,how Chinese folk songs are inherited and developed is a question that should be seriously considered.What we need to do is not only to sort out and explore the current situation of folk songs in the perspective of Chinese-style modernization,but more importantly,the construction and theorization of relevant theories.Only in this way can Chinese folk songs become an inexhaustible cultural source in the process of Chinese-style modernization,and can Chinese folk songs achieve creative transformation and innovative development and obtain contemporary significance.
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