传统手工艺如何重构现代生活——以日本民艺复兴为例  

Reconstructing Modern Life through Traditional Handicrafts:A Case of the Japanese Mingei Revival

作　　者：徐赣丽[1] 朱俊波 XU Ganli;ZHU Junbo

机构地区：[1]华东师范大学社会发展学院,上海200241

出　　处：《民俗研究》2025年第2期52-62,158,共12页Folklore Studies

基　　金：国家社会科学基金艺术学重大项目“中国艺术民俗学的理论与实践研究”(项目编号:22ZD06)的阶段性成果。

摘　　要：20世纪20年代,柳宗悦等人不满于过度西化的社会风气与现代艺术制度,发起了民艺运动,寄望于通过民艺的国民性与民艺之美去改造日本的社会生活,由此奠定了民艺重塑日本本土生活方式的思想基础。其间,民艺馆、展览会、民艺品商店及出版物向社会推广了民艺之美,促进了日本本土生活美学的启蒙,使民艺的价值和理念得到广泛普及。民艺运动后,日本现代设计接续了民艺运动的思想,结合机械化和产业化批量生产民艺风格的设计产品,使民艺真正成为普通日本人生活的必需品,最终重构了日本国民的现代生活方式。传统手工艺如何再嵌入现代生活是我国当下的重要课题,而日本民艺运动对振兴我国的传统工艺和建构新中式审美生活方式富有启发意义。How to reintegrate tradition into modern life is an important issue in China today.In the 1920s,dissatisfied with the excessive Westernization of Japanese society and modern art institutions,Yanagi Soetsu and others launched the Mingei Movement,aiming to transform Japanese social life through the national identity and beauty of Mingei.This laid the ideological foundation for the reconstruction of Japan's indigenous lifestyle.During this period,the folk crafts museum,exhibitions,craft stores,and publications promoted the beauty of Mingei to the public,stimulating the enlightenment of Japanese domestic aesthetic living and popularizing the values and concepts of Mingei.After the Mingei Movement,modern Japanese design inherited the movement's principles and combined mechanized and industrialized mass production with Mingei-style design products,making Mingei an essential part of everyday life for ordinary Japanese people.This process ultimately reshaped the modern lifestyle of the Japanese people.The success of the Mingei movement offers valuable insights for revitalizing traditional handicrafts in China and for constructing a new Chinese aesthetic lifestyle.

关 键 词：传统手工艺 现代生活方式 日本 民艺 柳宗悦 

分 类 号：J505[艺术—艺术设计]