明代以前尺牍的“创体”与经典化  

Before the Ming Dynasty:The"Innovation"and Canonization of Chidu

作　　者：蔡燕梅 CAI Yanmei(School of Chinese Medicine,Nanjing University of Chinese Medicine)

机构地区：[1]南京中医药大学中医学院

出　　处：《印刷文化(中英文)》2025年第1期21-33,共13页Print Culture

摘　　要：本文聚焦明代以前尺牍文体的经典化历程,以杨慎《赤牍清裁》与王世贞《尺牍清裁》为研究核心,阐述了杨慎在尺牍文体发展中的开创之功,他从子、史著作中采摭文本,镕裁出具有集部特征的尺牍总集《赤牍清裁》,为尺牍文体构建了典范。王世贞、王世懋在杨慎基础上的增辑工作,不仅体现在作品的大幅扩展,更在文体观念和编纂范式上实现创新,使明代以前的尺牍文学经典得以确立。同时,本文还分析了二书在文本来源、编纂体例、文体属性等方面的异同,以及它们对后世尺牍总集、文章总集等不同形式著述的深远影响,强调了《尺牍清裁》在明代尺牍文体经典化进程中的里程碑地位,揭示了印刷技术对尺牍文体经典化的推动作用。This paper focuses on the canonization process of the epistolary genre prior to the Ming Dynasty,centering on Yang Shen's Chidu Qingcai(《赤牍清裁》)and Wang Shizhen's Chidu Qingcai(《尺牍清裁》).First,it examines Yang Shen's epistolary anthologies pioneering role in compiling selections from philosophical and historical works of the"Zibu"(子部)and"Shibu"(史部)to create Chidu Qingcai-a chidu anthology characterized by features of the"Jibu"(集部)-thereby establishing a paradigm for the epistolary genre's style.Subsequent editions by Wang Shizhen and Wang Shimei expanded the scale of Chidu Qingcai and introduced innovative editorial concepts and paradigms,which solidified the canonization of pre-Ming epistolary literature.The study further compares the two works in terms of textual sources,compilation formats,and stylistic attributes,as well as their profound influence on later chidu anthologies and general literary collections.It highlights Chidu Qingcai's pivotal role in the canonization of chidu during the Ming Dynasty and reveals the catalytic impact of printing technology on this process.

关 键 词：明代以前 尺牍 经典化 《赤牍清裁》 《尺牍清裁》 

分 类 号：I206[文学—中国文学] I207.62