汉代碑本隶书的审美崇尚与书刻情境——以甘肃省图书馆藏《三老赵之碑》初拓本为探究载体  

Aesthetic Ideals and Calligraphic Context of Han Dynasty Stele Clerical Script:A Study Based on the Early Rubbing of The Stele of Zhao Yuan,the Sanlao(Moral Instructor)Preserved at Gansu Provincial Library

作　　者：窦永锋 DOU Yongfeng(China Literature and Art Critics Association;Chinese Calligraph Association)

机构地区：[1]中国文艺评论家协会 [2]中国书法家协会

出　　处：《印刷文化(中英文)》2025年第1期111-120,共10页Print Culture

基　　金：国家社科基金项目西部项目“西北古代书法教育史料整理与研究”(项目编号:18XTQ008)研究成果。

摘　　要：汉代是中国书法艺术渐趋自觉,隶书与别种书体交汇共融,实现艺术审美转换的重要历史时期。汉代碑刻隶书风行,东汉《三老赵橡之碑》为汉隶成熟时期的典范之作,其书法浑朴雄强,字里行间激荡着汉代灵动飞扬的审美崇尚与气势雄强的民族自信。《三老赵橡之碑》碑体因火致残,本文以甘肃省图书馆藏初拓本为阐释载体,深入探究汉代碑本隶书的文化生成与美学追求,进而对碑刻本体特有的书刻情境作出有益补充。The Han Dynasty was a pivotal era in Chinese calligraphy,marked by the emergence of artistic self-awareness,the integration of clerical script(li shu)with other scripts,and a transformation in aesthetic expression.During this era,stele inscriptions in clerical script flourished,and The Stele of Zhao Yuan,the Sanlao(Moral Instructor)from the Eastern Han Dynasty stands as an exemplary work of mature Han clerical script.Its vigorous and majestic calligraphy embodies the dynamic aesthetic ideals and robust national confidence of the Han era.Though the stele itself was damaged by fire,this study employs the early rubbing preserved at Gansu Provincial Library as the primary research material to explore the cultural origins and aesthetic pursuits of Han stele clerical script,while providing new perspectives on the unique calligraphic and carving context of these steles.

关 键 词：汉代书法 碑本隶书 审美崇尚 书刻情境 《三老赵之碑》 拓本 

分 类 号：J292.26[艺术—美术]