乡土记忆:黑釉刻花瓷的乡村美学传承与创新  

Rural Memories:Inheritance and Innovation of Rural Aesthetics of Black-Glazed Carved Porcelain

作　　者：陈彦渊[1] CHEN Yanyuan(Communication University of Shanxi,Jinzhong 030619,China)

机构地区：[1]山西传媒学院,晋中030619

出　　处：《中国陶瓷》2025年第4期75-78,共4页China Ceramics

基　　金：山西省高等学校科技创新项目“基于空间归属下山西古建筑数字化档案建设研究”(2024L387)。

摘　　要：旨在探讨平定黑釉刻花瓷的乡土美学特征,并分析黑釉刻花瓷在当下传承的问题。通过对传统工艺的研究、对现代设计理念的吸纳,结合市场分析和科技的应用,提出了一系列具体的传承和创新策略,来推动黑釉刻花瓷艺术的持续发展和文化影响力的提升,以实现黑釉刻花瓷乡村美学的传承与创新。This article aims to explore the rural aesthetic characteristics of black-glazed carved porcelain in Pingding and analyze the current issues of its inheritance.By studying traditional craft,absorbing modern design concepts,and combining market analysis with technology applications,a series of specific strategies of inheritance and innovation were proposed.The goal is to promote the sustainable development of blackglazed carved porcelain art and enhance its cultural influence,thereby achieving the inheritance and innovation of rural aesthetics of black-glazed carved porcelain.

关 键 词：黑釉刻花瓷 乡村美学 文化传承 

分 类 号：TQ174.74[化学工程—陶瓷工业] J502[化学工程—硅酸盐工业]