卢照邻“发挥新题,自我作古”乐府创作论  

On Lu Zhaolin’s Theory of Yuefu Poetry Creation by“Innovating New Themes and Establishing a New Tradition”

作　　者：王彬 WANG Bin(College of Literature and Education,Bengbu University,Bengbu 233030,Anhui)

机构地区：[1]蚌埠学院文学与教育学院,安徽蚌埠233030

出　　处：《宜春学院学报》2025年第2期77-81,共5页Journal of Yichun University

基　　金：蚌埠学院2024年度高层次人才项目“初盛唐序文与唐代理想文学建构研究”(项目编号:2024YYX79QD)。

摘　　要：卢照邻《乐府杂诗序》认为,先秦时期诗乐与政通,至汉代崇文,乐府创作经历了贵族乐府、民间乐府、文人乐府三个时期,这一时期的乐府创作密切关注社会现实。建安前期,文人拟乐府创作追踪《诗经》与汉乐府的写实精神及儒家的诗教观念。此后的文人拟乐府多同题重复之作,偏离了乐府关注现实的精神与政教功能。卢照邻对这一现象十分不满,提出发挥新题,自我作古创作观念。这一乐府观念对后来杜甫的现实主义创作和元白的新乐府起到了先导作用。但在初唐时期,卢照邻及其同时代的一批文人,因为旧传统的影响,未能实现其变革乐府的理想。According to Lu Zhao-lin Yuefu Miscellaneous Poems,,the creation of Yuefu experienced three periods,namely,the noble Yuefu,the folk Yuefu and the literati Yuefu in the pre-Qin period and the Chongwen period in the Han Dynasty.In the early period of Jian’an,the literati traced the realistic spirit of the Book of Songs and the Han Yuefu and the Confucian concept of poetry teaching.Since then,scholars have made many repeated works on the same topic,which deviated from the spirit of Yuefu’s concern about reality and the function of politics and religion.Lu Zhaolin was very dissatisfied with this phenomenon,so he put forward the idea of developing new problems and creating ancient works by himself.His concept of Yuefu played a leading role in Du Fu’s realistic creation and Yuan Bai’s new Yuefu.However,in the early Tang Dynasty,Lu Zhaolin and his contemporaries failed to realize their ideal of transforming Yuefu because of the influence of the old tradition.

关 键 词：初唐文学 卢照邻 乐府观念 《乐府杂诗序》 

分 类 号：I207.22[文学—中国文学]