公讌、帝王与规仿:六朝诗赋“同题共作”之侧影  

Banquet,Emperor and Imitation:a Look at Co creation of Poetry and Fu with Same Topics in Six Dynasties Period

作　　者：毛金叶 MAO Jin-ye(School of Literature,Yunnan Normal University,Kunming 650500,China)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《宜春学院学报》2025年第2期99-104,共6页Journal of Yichun University

基　　金：云南省教育厅社会科学基金项目:“魏晋南北朝诗赋‘同题共作’现象研究”(项目编号:2023Y0588)。

摘　　要：六朝是同题诗、赋创作的繁盛期,“同题共作”伴随着文人宴游集会中作诗活动的兴盛而大量出现,并成为了一道独特的文学景观。由于帝王的主导与参与,同题共作得到文人群体的积极响应,创作出大量应诏奉和型同题之作,丰富了同题诗、赋的类型。加之六朝规仿模拟之风盛行,不仅为共时性同题创造了活跃氛围,还实现了规模化的异代同题。同题共作集魏晋南北朝文学发展的几个重要元素于一身,不仅能够从中窥见作家个人的成长,还能透视文学的兴衰。Six Dynasties were the prosperous period of poem and fu with the same title,and“co-writing with the same title”appeared in large numbers along with the flourishing of poetry writing activities in banquets and gatherings of literati,and became a unique literary landscape.Due to the leadership and participation of the emperor,the co-work with the same title received a positive response from the literati group,and a large number of works with the same title were created,enriching the types of poems and fu with the same title.In addition,the prevalence of imitation and simulation in the Six Dynasties not only created an active atmosphere for synchronic homogeneity,but also created large-scale works of the same title in different eras.The co-work of the same title combines several important elements of the literary development of the Wei,Jin,Southern and Northern Dynasties,which can not only explore the personal growth of writers,but also see the rise and fall of literature.

关 键 词：同题共作 六朝 公讌 帝王 规仿 

分 类 号：I207.22[文学—中国文学]