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作 者:王嘉文 蔡淑娟[1] WANG Jiawen;CAI Shujuan(School of Design,Nanjing University of the Arts,Nanjing 210000,China)
出 处:《工业工程设计》2025年第2期115-122,F0003,共9页INDUSTRIAL&ENGINEERING DESIGN
基 金:国家社科基金艺术学重点项目(23AG016)。
摘 要:在乡村振兴战略驱动下,本研究基于系统设计方法论,构建“大艺术观三维驱动模型”,以解决艺术介入乡村过程中存在的传统断裂、主体缺位与生态失衡问题。模型以“自然地理生态层-本土文化基因层-外来力量协同层”的集成架构,通过地理维度整合生态智慧重构修复人地关系,本土维度激活在地文化基因实现乡土记忆再生,外力维度建立多元流动艺术的多向赋权重构介入伦理。政策层面,大艺术观与中国乡村的自然肌理、历史文脉深度契合,形成系统性本土发展法则;实践层面,“参与式乡建”“生态修复”等模式通过权力关系重构,推动艺术与乡村的协同创新。研究表明,该创新模型以整体性思维、系统集成方法为乡村振兴提供兼具理论创新与系统实践价值的设计范式。Driven by the rural revitalization strategy,the work aims to construct a"Three-Dimensional Driving Model of Grand Art Concept"based on systematic design methodology to address the challenges of cultural discontinuity,absence of local agency,and ecological imbalance in the process of art intervention in rural areas.The model adopts an integrated framework comprising the"natural geographical ecology layer—local cultural gene layer—external force collaboration layer."Specifically,it integrates ecological wisdom in the geographical dimension to reconstruct and restore human-land relationships,activates local cultural genes in the indigenous dimension to regenerate rural memory,and establishes multi-directional empowerment through diverse fluid artistic practices in the external dimension to reshape intervention ethics.At the policy level,the Grand Art Concept aligns deeply with China's rural natural fabric and historicalcultural context,forming systematic indigenous development principles.At the practical level,approaches such as"participatory rural construction"and"ecological restoration"facilitate collaborative innovation between art and rural communities by restructuring power dynamics.The research demonstrates that this innovative model,grounded in holistic thinking and systematic integration,offers a design paradigm with both theoretical originality and practical value for rural revitalization.
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