中日关于非物质文化遗产漆艺传承保护之异同  

A Comparative Analysis of the Similarities and Differences in the Preservation and Transmission of Lacquer Art as Intangible Cultural Heritage between China and Japan

作　　者：胡玉康[1] 王蕴杰 HU Yu-kang;WANG Yun-jie

机构地区：[1]陕西师范大学美术学院,陕西西安710199

出　　处：《中国生漆》2025年第1期17-21,39,共6页Journal of Chinese Lacquer

基　　金：国家社科基金2022年重大课题《丝绸之路中外工匠文化交流史料整理与研究》(编号:22&ZD227)阶段性研究成果。

摘　　要：中日两国的漆艺术延续发展数千年,形成了浓厚的漆文化氛围。但在工业化背景下,生活方式改变、需求缩小、难以量产等因素制约下,曾风靡全球的漆艺术,逐渐成为博物馆中静态的展示品。在全球日益重视非物质文化遗产保护的背景下,中日两国采取行动,对漆艺进行各种形式的传承与保护,以期让这一古老艺术重新焕发光彩。通过对比中日两国在政府政策扶持与保护、人才培养与技艺传承、漆艺产业的发展以及漆艺国际交流等方面措施之异同,归纳分析出中国漆艺传承与保护的长处与不足,展望中国漆艺未来发展路径。The lacquer art in China and Japan has endured and evolved for thousands of years,forming a strong lacquer culture atmosphere.However,under the background of industrialization,changes in lifestyle,shrinking demand,and difficulties in mass production,lacquer art,once popular globally,has gradually become a static display item in museums.Against the backdrop of increasing global attention to the protection of intangible cultural heritage,China and Japan have taken action to inherit and protect lacquer art in various forms,in order to revitalize this ancient art form.By comparing the similarities and differences in government policy support and protection,talent cultivation and skill inheritance,development of lacquer art industry,and international exchange of lacquer art between China and Japan,this article summarizes and analyzes the strengths and weaknesses of Chinese lacquer art inheritance and protection,and looks forward to the future development path of Chinese lacquer art.

关 键 词：漆艺 非物质文化遗产 传承保护 中日对比 

分 类 号：J527[艺术—艺术设计]