论沈际飞的“临川四梦”评点  

On Shen Jifei's Commentary of"Four Dreams of Linchuan"

作　　者：郑艳玲[1] 芦炽暄 ZHENG Yanling;LU Chixuan(School of Humanities and Law,Yanshan University,Qinhuangdao Hebei 066004,China;Xinmi Municipal Taxation Bureau,Xinmi Henan 452370,china)

机构地区：[1]燕山大学文法学院,河北秦皇岛066004 [2]新密市税务局,河南新密452370

出　　处：《上饶师范学院学报》2025年第1期77-83,共7页Journal of Shangrao Normal University

基　　金：河北省教育厅高等学校科技计划基础研究重点培育项目(JCZX2025033)。

摘　　要：《独深居点次玉茗堂传奇》是明代为数不多的“临川四梦”合评本之一,书中包括沈际飞的题词4篇,以及评语近千条,集中体现了沈际飞的戏曲批评理论。沈际飞的评点与汤显祖的戏曲理论息息相关,明显受到晚明主情思潮的影响,他重视戏曲作品中体现的“情”和“真”,提倡奇幻曲折的情节,反对恶俗倾向,要求戏曲语言雅俗共赏、和谐自如。沈际飞的评点理论具有鲜明的宗元倾向,评点形式亦丰富多样,部分评语借鉴了王思任、袁于令的评本,然而,沈际飞善于融会贯通、推陈出新,在前人的基础上有所发展,对于汤显祖戏曲研究具有一定的价值。Dushenju Commentary of The Ledgend of Yumingtang is one of the few joint commentary versions of Four Dreams of Linchuan in the Ming Dynasty,which includes four inscriptions by Shen Jifei and nearly 1,000 comments,which embodies Shen Jifei's theory of opera criticism.Shen Jifei's comments are closely related to Tang Xianzu's opera theory,and are obviously influenced by the trend of the late Ming Dynasty's main sentiment.He attaches great importance to the love and truth embodied in opera works,advocates fantasy and twists and turns of the plot,opposes vulgar tendencies,and requires the language of opera to be appreciated by all ages and social groups and harmonious.Shen Jifei's commentary theory has a distinctive Zongyuan tendency,commentary form is also colorful and varied,and some of the comments draw on Wang Siren and Yuan Yuling.However,Shen Jifei is good at integrating and bringing forth the new,and has developed his theory on the basis of his predecessors,which has a certain value for the study of Tang Xianzu's opera.

关 键 词：《独深居点次玉茗堂传奇》 沈际飞 评点 汤显祖 

分 类 号：I207.37[文学—中国文学]