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作 者:肖俏妮 米进忠 XIAO Qiaoni;MI Jinzhong(Faculty of Literature,Law and Arts,East China University of Technology,Nanchang Jiangxi,344000,China)
机构地区:[1]东华理工大学文法与艺术学院,江西南昌330013
出 处:《上饶师范学院学报》2025年第1期84-90,99,共8页Journal of Shangrao Normal University
基 金:国家社科基金西部项目(21XZX026)。
摘 要:受众的接受活动对文学作品的经典化起着重要作用。在《南柯记》经典化过程中,该作经历了商业出版、文人批评、作品重写、文学史编选等不同形态的接受过程。《南柯记》原本、改本、选本等的出版,在其早期传播中起了筑基性作用;文人群体的“四梦”总评与《南柯记》专评等,则赋予了《南柯记》真正的文学高度与经典印象;以《南柯记》为底本而进行的重写,虽易为人所忽略,却为其开辟出了新的受众群体;文学史教材编选者的接纳,则使《南柯记》得以通过教育体制逐层向下渗透进无数受教民众的思想,从而逐渐取得了合法且稳定的经典地位。The reception activities of the audience play a crucial role in the classicization of literary works.In the classicization process of The Nanke Dream,this work has undergone various forms of reception,such as commercial publishing,literati criticism,rewriting of the work,and compilation of literary history.The publication of the original,altered,and selected versions played a significant foundational role in its early dissemination;the general review of"Four Dreams"and the special review of The Nanke Dream of the literati group have given The Nanke Dream a real literary height and classic impression;the rewriting based on The Nanke Dream,although often overlooked,has opened up a new audience group for it;the reception by compilers of literary history textbooks has enabled The Nanke Dream to permeate the minds of countless educated people through the educational system layer by layer,thereby gradually attaining a legitimate and stable classic status.
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