重构象山——对一个幻境的还原  

Reconstructing Xiangshan:Restoring an Illusion

作　　者：梁昊 

机构地区：[1]中国美术学院

出　　处：《建筑与文化》2025年第4期16-18,共3页Architecture & Culture

摘　　要：象山校园,作为王澍教授最重要的建筑作品之一,开创性地对中国传统画论和聚落营造进行了当代表达,极具地域性和批判性。对于这样一个重要的作品,尽管当代建筑界仅有几篇专门的理论研究和批评讨论,但这些宝贵的研究成果已足以揭开象山校园学术价值的冰山一角。对于广大青年学者而言,深入学习和研究象山校园是理解王澍教授建筑理念和探索中国传统自然观的极富启发性的研究路径。基于此,中国美术学院建筑艺术学院的研究生团队在2021年秋季学期启动了一项研究课题,旨在通过制作1∶500比例的象山校园模型,深化对校园的理解,并撰写相应的研究报告。笔者将在文章中分享该模型制作的思路,以及在这一过程中获得的启示和思考。As one of Professor Wang Shu's most important architectural works,Xiangshan Campus represents a pioneering contemporary expression of traditional Chinese painting theory and settlement construction,demonstrating strong regionalism and critical qualities.For such an important work,although there are only a few specialized theoretical studies and critical discussions in the contemporary architectural field,these valuable research outcomes have managed to reveal the tip of the iceberg of its academic value.For many young scholars,in-depth study and research of Xiangshan Campus serve as an inspiring path to understanding Professor Wang Shu's architectural philosophy and exploring the traditional Chinese view of nature.Against this backdrop,the graduate student team from the School of Architecture at China Academy of Art launched a research project in the fall semester of 2021.The project aimed to deepen the understanding of the campus by creating a 1∶500 scale model of Xiangshan Campus and writing a corresponding research report.This paper shares the author's ideas for model making and summarizes the insights and reflections gained during the process.

关 键 词：王澍 象山校园 画论 聚落营造 幻境 

分 类 号：TU984.14[建筑科学—城市规划与设计]