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机构地区:[1]浙江大学建筑设计研究院有限公司光环境研究所 [2]浙江大学建筑设计研究院有限公司 [3]浙江大学平衡建筑研究中心
出 处:《建筑与文化》2025年第4期157-159,共3页Architecture & Culture
摘 要:正如作家利用文字构建文学场景,作曲家运用音符塑造音乐氛围,建筑光环境设计师则是通过光影来营造空间情境。如果说对灯具的应用与表现烂熟于心是一个建筑光环境设计者的基本功,那么对项目场域要素的理解、对材料映射光影效果的把握、对美的解读甚至对于文史哲的融会贯通,真正做到法象合一,则功夫远在设计之外。通过分析杭州亚运会花卉园、温州肯迪文酒店和绍兴北纬30度地理馆的光环境设计案例,文章阐述了为不同群体定制适宜其使用和生活的光影情境的不同策略,讨论了针对特定光影情境主题需求,让光影真正合情合理并给人以功能满足与精神慰藉的重要性。Just as writers use words to construct literary scenes and composers use musical notes to shape atmospheres,architectural light environment designers create spatial contexts through light and shadow.While mastering the application and performance of lighting fixtures is a fundamental skill for architectural light environment designers,truly achieving the"unity of method and imagery"requires a deeper understanding of project site elements,the mapping of light and shadow through materials,the interpretation of beauty,and even the integration of literature,history,and philosophy—efforts that go far beyond design itself.By analyzing the light environment designs of the Hangzhou Asian Games Flower Garden,the Wenzhou Kendiwen Hotel,and the Shaoxing 30 Degrees North Latitude Geography Museum,this article expounds on the strategies for tailoring light and shadow contexts to meet the needs of different user groups.It also discusses the importance of addressing specific contextual theme requirements to ensure light and shadow are not only reasonable and functional but also provide spiritual comfort and emotional resonance.
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