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作 者:李蕾 刘继林[1] LI Lei;LIU Ji-lin(College of Liberal Arts,Hubei University,Wuhan 430062)
出 处:《山西大同大学学报(社会科学版)》2025年第2期93-97,共5页Journal of Shanxi Datong University(Social Science Edition)
基 金:国家社科基金一般项目“民间话语与百年中文文学书写研究”(19BZW116)。
摘 要:吴组缃的小说《菉竹山房》通过“我”携妻回乡的见闻,以及拜访二姑姑的种种遭遇等故事,揭示了传统乡土社会的多样现实。小说采用鲁迅式的“归乡模式”,延续了五四乡土小说的启蒙立场。同时,作者站在农民的立场上,超越以往乡土文学对乡村惯常的批判模式。另一方面,小说受20世纪30年代文学思潮的影响,通过对人性及其欲望的观照,开拓了乡土小说新的表达空间。此外,在现代话语语境下,小说融入了大量的古典情爱元素,通过对古典传统审美资源的有效利用与转换,为传统与现代之间作出了有益的探索与尝试,从而成就了这部现代文学史上的经典之作。Wu Zuxiang’s novel Lv Bamboo Hill House reveals the diverse reality of the traditional rural society through the stories of“me”bringing my wife to the village and the experiences of visiting my second aunt.The novel adopts Lu Xun’s“homecoming mode”,which continues the enlightening stance of the May 4th local novels.At the same time,the author stands on the peasants’point of view,so that the novel surpasses the usual mode of criticizing the countryside in the past local literature.On the other hand,under the influence of the literary trend of the 1930s,through the attention to human nature and its desire,the new expression space of local novels was opened up.In ad⁃dition,in the context of modern discourse,the novel incorporates a large number of classical love elements,and through the effective use and conversion of classical traditional aesthetic resources,makes a beneficial exploration and attempt between tradition and modernity,thus achieving a classic work in the history of modern literature.
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