关涉与重构:“西园雅集”文图中的青绿山水叙述模式  

Involvement and Reconstruction:The Narrative Mode of Blue-Green Landscape in the Paintings Xiyuan Yaji

作　　者：蒋超凡 Jiang Chaofan(Southwest University,Chongqing 400715)

机构地区：[1]西南大学,重庆400715

出　　处：《新疆艺术学院学报》2025年第1期29-38,共10页Journal of Xinjiang Arts University

摘　　要：以“西园雅集”为母题的《西园雅集图》,不断在后世文人、画家的追摹与再现中生发。以“著色”的视角为切入点,一方面探讨青绿山水在《西园雅集图》《西园雅集图记》中的纠缠与关涉,将历史谜案的争议放置于艺术本体中进行观察;另一方面,探勘文人重构的青绿山水叙述模式,得出《西园雅集图》在矛盾与巧合中得到传播与增殖的结论。The paintings Xiyuan Yaji,based on the theme of a record about the gathering of celebrated scholars in the Western Garden,have been continuously recreated by later literati and painters.From the perspective of"coloring,"this paper explores the entanglement and involvement of blue-green landscapes in the paintings Xiyuan Yaji,placing historical controversies within the context of artistic ontology.It also examines the narrative mode of blue-green landscapes reconstructed by literati,concluding that the paintings Xiyuan Yaji have been disseminated and proliferated through contradictions and coincidences.

关 键 词：西园雅集 青绿山水 文人重构 苏州片 

分 类 号：J212[艺术—美术]