古希腊“歌队”戏剧审美功能的共性和个性  

The Common and Unique Aesthetic Functions of the"Chorus"in Ancient Greek Drama

作　　者：王丽[1,2] Wang Li

机构地区：[1]徐州工程学院 [2]吉尔吉斯斯坦比什凯克国立大学教育学院

出　　处：《四川戏剧》2025年第2期90-93,共4页Sichuan Drama

摘　　要：“歌队”作为构成古希腊戏剧的重要一环,不仅体现了戏剧艺术的普遍性,还反映出特定文化背景下的独特性和复杂性。本文以古希腊三大悲剧为研究对象,通过历时性角度梳理“歌队”的起源与演变轨迹,并结合共时性分析,比较其在戏剧功能和审美意图上的差异。此外,本文还探讨了当代戏剧舞台中“歌队”的实际运用,从而揭示其在人类情感表达及戏剧本体构建中的重要作用。As a crucial component of dramatic structure,the“chorus”serves as an indispensable element in Ancient Greek tragedies.It not only embodies the universality of theatrical art but also reflects the uniqueness and complexity rooted in specific cultural contexts.Centered on the three major Greek tragedies,this paper traces the origin and evolutionary trajectory of the“chorus”from a diachronic perspective,while conducting a synchronic analysis to compare its variations in theatrical function and aesthetic intent.Furthermore,the paper explores the practical application of the“chorus”on contemporary theater stages,highlighting its significant role in the expression of human emotions and the construction of dramatic essence.

关 键 词：古希腊戏剧 歌队 三大悲剧 戏剧功能 

分 类 号：J805[艺术—戏剧戏曲]