新时期家庭题材电影中的和谐之美  

Exploring Harmony Aesthetics in Family-Themed Films of the New Era

作　　者：刘逸飞 Liu Yifei

机构地区：[1]华中师范大学文学院

出　　处：《四川戏剧》2025年第2期108-113,共6页Sichuan Drama

摘　　要：和谐是贯穿中国文艺史的重要概念,和谐美学是建构中国本土电影美学的重要理论资源。作为形成叙述的中国民族电影之滥觞,家庭题材电影是探讨中国电影和谐之美的理想对象。新时期家庭题材电影通过物像呈现与技法调度传情言志,表现出对素朴和谐、对立崇高、辩证和谐三种不同和谐美的追求,触及人性本质、生命价值等重要命题,在不断完善审美表达的同时也为人们思考中国电影的美学特质带来启发。Harmony,as a foundational concept,permeates the history of Chinese literature and art,and the aesthetics of harmony provides a vital theoretical framework for the development of indigenous Chinese film aesthetics.Family-themed films,as the cornerstone of Chinese national cinema and narrative construction,offer an ideal avenue for exploring the representation of harmony in Chinese cinema.These films of the new era with the help of visual imagery and cinematic techniques to convey emotional depth and collective aspirations,manifest the pursuit of three distinct forms of harmonious beauty:simple harmony,opposing sublimity,and dialectical harmony.These films address profound themes,such as the essence of human nature and the value of life,while simultaneously advancing the evolution of aesthetic expression in Chinese cinema.In doing so,they provoke reflection on the aesthetic characteristics of Chinese film.

关 键 词：和谐美学 家庭题材电影 素朴和谐 对立崇高 辩证和谐 

分 类 号：J905[艺术—电影电视艺术]