丘处机《磻溪集》词作的体道思维与内在风神  

Daoist Thinking and Inherent Spirit in Ci Poems of Panxi Collection by Qiu Chuji

作　　者：吴光正[1] WU Guang-zheng

机构地区：[1]武汉大学中国宗教文学与宗教文献研究中心,湖北武汉430072

出　　处：《三峡大学学报(人文社会科学版)》2025年第3期42-48,116,共8页Journal of China Three Gorges University(Humanities & Social Sciences)

基　　金：国家社会科学基金重大招标项目“中国宗教文学史”(15ZDB069);贵州省哲学社会科学规划国学单列课题“元代道教文学研究”(19GZGX09)。

摘　　要：《磻溪集》共收录了丘处机创作的134首词,这些作品向来被认为是金元全真教词作的上乘之作,但鲜有词论家欣赏其宗教内涵。这些词为丘处机在磻溪、龙门斗闲苦修时所作,所含宗教情感浓郁,如果从宗教实践与文学创作的角度全面加以解读,或别有洞天。从丘处机《磻溪集》词作的结构、修辞、意象、词调等方面分析了其词作的体道思维,从洞天景物、洞天修为、洞天道缘等三个角度揭示了其词作的内在风神,以期对《磻溪集》词作的文学史价值进行定位。The Panxi Collection includes 134 ci poems composed by Qiu Chuji,long recognized as masterpieces of Quanzhen Taoist poetry in the Jin-Yuan Period,yet their religious essence remains underexplored by literary critics of the following generations.Created during Qiu’s spiritual cultivation and ascetic practices in Panxi and Longmen(in today’s Baoji City,Shaanxi Province),these works exhibit profound religious sentiment worthy of a comprehensive study through in the perspectives of religious practice and literary creation,as might lead to significant findings.This study analyzes the Daoist thinking embedded in the structural composition,rhetorical devices,imagery,and prosodic patterns of the collected works,and unveils the inherent spiritual dimensions through three Taoist paradigms,including the landscapes,spiritual cultivation and predestined connections in the celestial world,with the aim to reposition the literary-historical significance of the collected poems.

关 键 词：《磻溪集》 丘处机 体道思维 内在风神 

分 类 号：I207.23[文学—中国文学]