扬州文汇阁的时代变迁与人文精神——以清乾隆以来题咏诗词为中心  

The Changes of the Times and the Humanistic Spirit of Yangzhou Wenhui Pavilion:Centered on the Poems Inscribed Since the Qianlong Period of the Qing Dynasty

作　　者：陈翠翠 Chen Cuicui(School of Information Management, Nanjing University)

机构地区：[1]南京大学信息管理学院,江苏南京210023

出　　处：《图书馆杂志》2025年第4期55-60,共6页Library Journal

摘　　要：扬州文汇阁是清乾嘉年间庋藏《四库全书》的“七阁”之一,从建阁贮藏到阁毁书散,再到旧址复建,已经成为中华文化历史发展和传承的重要见证。弘历为其题诗《文汇阁》《再题文汇阁》《文汇阁·叠庚子韵》3首,及毛澄、魏源、刘梅先等人的诗词吟咏,皆以生动形象的笔触勾勒了文汇阁的形制、藏书概况和社会文化意义。本文通过解析这一组诗词作品,旨在梳理文汇阁的时代变迁和人文精神。Yangzhou Wenhui Pavilion is one of the “Seven Pavilions” established during the Qianlong and Jiaqing periods of the Qing Dynasty for housing the Siku Quanshu.From its initial construction to its destruction and the later restoration of the original site,it bears witness to the historical development and inheritance of Chinese culture.Emperor Qianlong (Hongli) composed three inscription poems-Wenhui Pavilion,Wenhui Pavilion Re-inscription,and Wenhui Pavilion:Stacking Gengzi Rhyme.These,along with poems by Mao Cheng,Wei Yuan,and Liu Meixian,vividly depict the architecture of the pavilion,book collection and its social and cultural significance.By analyzing these poems,this paper aims to sort out the dynastic changes and the humanistic spirit embodied in the Wenhui Pavilion.

关 键 词：《四库全书》 乾隆 文汇阁题咏诗词 

分 类 号：I207.2[文学—中国文学]