皖江流域史前玉器纹样功能性设计研究  

Research on Functional Design of Prehistoric Jade Patterns in Wanjiang Valley

作　　者：朱铁军[1] 黄笑歌 ZHU Tiejun;HUANG Xiaoge(School of Design,Anhui Polytechnic University,Wuhu,Anhui 241000,China)

机构地区：[1]安徽工程大学设计学院,安徽芜湖241000

出　　处：《安徽理工大学学报(社会科学版)》2025年第2期85-93,共9页Journal of Anhui University of Science and Technology:Social Science

基　　金：2023年度安徽省哲学社会科学规划项目:皖江流域史前玉器纹样研究(AHSKY2023D094)。

摘　　要：皖江流域作为长江下游文化矩阵的关键构成,以其史前玉文化著称,其独特纹饰艺术在华夏玉文化中独树一帜。精妙的皖江流域史前玉器纹样,承载着深厚的文化积淀,既见证了卓越的工艺成就,亦映射出当时社会的宗教观念、社会组织与文化认同。文章通过聚焦皖江流域史前玉器纹样特征开展详尽的类型学分析,并对其功能设计和象征主义进行解读,旨在揭示纹样在装饰美学、生态寓意、宗教象征和精神标识等方面的多维功能,并进一步解构其含蕴的文化深意与社会价值,凸显该地域史前文明的无尽韵味,为整体理解中国长江下游史前玉文化的演变轨迹和传播路径提供有益参考。As the key component of the cultural matrix of the lower reaches of the Yangtze River,Wanjiang Valley is famous for its prehistoric jade culture,and its decorative art is unique in the jade culture of China.The exquisite prehistoric jade patterns in the Wanjiang Valley,bearing profound cultural accumulation,not only witness the outstanding technological achievements,but also reflect the religious concepts,social organization and cultural identity of the society at that time.By focusing on the characteristics of prehistoric jade patterns in the Wanjiang River Basin and conducting detailed typological analysis,as well as functional design and symbolic interpretation of them,this paper aims to reveal the multi-dimensional functions of patterns in decorative aesthetics,ecological meanings,religious symbols and spiritual symbols,and further deconstruct their cultural significance and social value,so as to highlight the endless charm of the prehistoric civilization in the region,thus providing useful reference coordinates for understanding the evolution and propagation path of jade culture in the lower reaches of the Yangtze River in prehistoric China.

关 键 词：皖江流域 新石器时代晚期遗址 玉器纹样 功能设计 文化意涵 

分 类 号：J52[艺术—艺术设计]