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作 者:孙阿楠 SUN A′nan(School of Music,AnhuiUniversity of Arts,Hefei 230011,China)
出 处:《安徽理工大学学报(社会科学版)》2025年第2期94-101,共8页Journal of Anhui University of Science and Technology:Social Science
基 金:安徽省教育厅哲学社会科学研究重点项目:安徽地方戏曲伴奏艺术研究(2023AH052148);安徽省质量工程项目:安徽艺术学院安徽艺青年文化艺术发展有限公司合作实践教育基地(2023xqhz092)。
摘 要:过门作为黄梅戏伴奏艺术的重要组成部分,在增强音乐表现、彰显唱腔风格、渲染舞台气氛、烘托戏剧情节、强化情感共鸣及辅助演员快速“入腔”“入调”等方面发挥积极作用。为揭示黄梅戏过门在乡土文化向城市文化变迁过程中的深层文化意蕴和艺术法则,文章在剖析其不同时期的表现形式、风格特征及生存环境基础上,选取典型的黄梅戏剧目探讨引导、句间和曲尾过门的形态特征与作用机制。最后得出:(1)自清中期以来,黄梅戏过门历经“广场文化”“草台文化”“花台文化”和“舞台文化”的熏陶,逐渐形成其独有的音乐色彩和风格韵味;(2)新中国成立至今,黄梅戏过门音乐形态所呈现的群体性精神价值、集体性创作形式及多变性艺术特征成为现代黄梅戏音乐发展的基石。围绕黄梅戏过门展开深入研究,不仅展现了黄梅戏艺术的文化魅力与时代风采,也为当下中国戏曲音乐传承与创新提供理论支持。As an integral part of the accompaniment art in Huangmei Opera,the guomen(musical interlude)plays a positive role in enhancing musical expression,highlighting singing styles,creating stage atmospheres,emphasizing dramatic plots,strengthening emotional resonance,and assisting actors to quickly“enter the melody”and“get into the tune”.To reveal the deep cultural implications and artistic principles of Huangmei Opera′s guomen during the transition from rural to urban culture,this paper analyzes its manifestation forms,stylistic features,and survival environments in different periods.Based on this,typical Huangmei Opera repertoires are selected to explore the morphological characteristics and functional mechanisms of lead-in,inter-phrase,and closing guomen.The conclusions are as follows:(1)Since the mid-Qing Dynasty,the guomen of Huangmei Opera has undergone the influence of“square culture”,“grass-roots stage culture”,“flower stage culture”,and“professional stage culture”,gradually developing its unique musical color and stylistic charm;(2)Since the founding of the People′s Republic of China,the communal spiritual values,collective creative forms,and versatile artistic characteristics embodied in the musical forms of Huangmei Opera′s guomen have become the cornerstone of the development of modern Huangmei Opera music.The in-depth study focusing on the guomen of Huangmei Opera not only showcases the cultural charm and contemporary vitality of Huangmei Opera art but also provides theoretical support for the inheritance and innovation of Chinese operatic music in the present day.
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