浅析筝曲《闹元宵》的演奏技法  

An Analysis of the Performance Techniques of the Classical Zheng Piece Naoyuanxiao

作　　者：常虓 牛衍敏 CHANG Xiao;NIU Yan-min(School of Music and Dance,Bengbu University,Bengbu,Anhui 233030,China)

机构地区：[1]蚌埠学院音乐与舞蹈学院,安徽蚌埠233030

出　　处：《河北北方学院学报(社会科学版)》2024年第6期63-66,共4页Journal of Hebei North University:Social Science Edition

摘　　要：《闹元宵》是河南筝曹派奠基人曹东扶的代表作之一,表现了河南地区浓厚的节日欢庆氛围。对《闹元宵》筝曲演奏中使用的右手技法、左手技法及创新手法进行分析,如右手演奏技法中的摇指和劈托,左手演奏技法中的按音、颤音、滑音和速滑音,以及左手击弦的创新手法等。揭示了传统与现代的辩证关系,为古筝艺术的传承与创新提供实践启示。Naoyuanxiao is one of the representative works by Cao Dongfu,the founder of the Henan Cao school of Zheng music.It vividly captures the festival atmosphere of traditional celebrations in Henan Province.The paper analyzes the performance techniques employed in the piece,including right-hand techniques such as continuous rolling(yaozhi)and thumb-index alternate plucking(pituo),as well as left-hand techniques like bending(anyin),vibrato(chanyin),glissando(huayin),and rapid glissando(suhuayin).Additionally,it explores innovative technique of the left-hand percussive striking(jixian).The analysis reveals the dialectical relationship between tradition and modernity,offering practical insights into the promotion and innovation of the art of Zheng.

关 键 词：河南筝曲 闹元宵 演奏技法 

分 类 号：J632[艺术—音乐]