让-菲利普·图森《中国制造》中的中国再现  

The Representation of China in Jean-Philippe Toussaint's Made in China

作　　者：刘婧文 Liu Jingwen(College of Humanities,Zhejiang Normal University,Jinhua 321004,China;Department of Chinese Language and Literature,YiLi Normal University,Yining 839300,China)

机构地区：[1]浙江师范大学人文学院,浙江金华321004 [2]伊犁师范大学中国语言文学学院,新疆维吾尔自治区伊宁839300

出　　处：《台州学院学报》2025年第2期30-37,63,共9页Journal of Taizhou University

基　　金：中国博士后科学基金面上资助项目研究课题“上世纪末至今华人法语小说中的生态关系研究”(2022M722832)。

摘　　要：西方文学中,中国常呈现为被观察的凝固客体,反映作家的意识形态及其所处的文化背景;而图森在《中国制造》中打破了这一现象,允许中国展现为创作中的共同参与者。通过回忆与现在交替的叙事结构,图森展现了中国这一空间在创作中的能动作用,体现了生态诗学中环境与作者共生的关系。他通过时间向前和向后的运动以及时空交错的叙事方式,使中国从“被书写的他者”转化为具有主动性的“创造者”,重塑了文学中的中国再现模式。In Western literature,China is often presented as an observed object,reflecting the authors'ideological perspectives and cultural backgrounds.However,in Made in China,Toussaint disrupts this tradition by allowing China to represent as a collaborative creator in the creative process.Through the narrative structure that alternates between memory and the present,Toussaint illustrates the active role of China as a space,manifesting the symbiotic relationship between environment and author within the framework of ecopoetics.By employing a narrative style that moves temporally both forward and backward with spatio-temporal interlacing,Toussaint transforms China from the negative Other into an active collaborator,and thereby reshapes the mode of representation of China in literature.

关 键 词：图森 《中国制造》 生态诗学 时空体 内在时间意识 

分 类 号：I106[文学—世界文学]