赋权作者与限制读者——第二人称叙事视角对叙事交流模式的重构  

Empowering the Author and Restricting the Reader--The Second-Person Narrative Perspective as a Reconstruction of Narrative Communication Patterns

作　　者：信誉 Xin Yu(College of Humanities,Zhejiang Normal University,Jinhua 321004,China)

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《台州学院学报》2025年第2期38-44,共7页Journal of Taizhou University

摘　　要：在小说艺术中,叙事视角的采用决定着叙事文本的呈现方式,也影响着小说的美学特色和风格建构。作为一种非传统的叙事视角,第二人称叙事改变了以往叙事交流模式下“叙述者—叙事文本—受述者”的身份构成。作者通过对“虚拟叙述者”的设置,改变了以往创作中被文本叙述者制约的情况,扩大了自身对叙事交流的控制权。而读者对文本的介入权则因其与受述者之间明显的身份距离而遭到削弱,或者放弃自身的主体性以扮演作者心目中的“隐含读者”,或者直接被拒绝在了叙事交流之外。通过这种改变,第二人称叙事不仅打破了既有的叙事交流模式,亦向传统的叙事理论发起了挑战,甚至可以视为一种对“读者中心“”作者已死”理论的挑战。In the realm of fictional art,the selection of narrative perspective determines the presentation of the narrative text and also influences the aesthetic characteristics and style construction of the novel.As a non-conventional narrative perspective,second-person narration alters the identity composition of"narrator-narrative text-narratee"in the conventional narrative communication pattern.Through the establishment of a"virtual narrator",the author modifies the situation of being restricted by the text narrator in previous creations and broadens author's control over narrative communication.However,the reader's right of intervention in the text is weakened due to the distinct identity distance between the reader and the narratee.The reader may either abandon their own subjectivity to play the"implied reader"in the author's mind or be directly excluded from the narrative communication.Through this transformation,secondperson narration not only disrupts the existing narrative communication model but also poses a challenge to traditional narrative theories and can even be regarded as a challenge to the theories of"reader-centeredness"and"the death of the author".

关 键 词：第二人称叙事 叙事交流 读者介入 

分 类 号：I207.42[文学—中国文学]