当下直觉与审美想象——《西游记》评书中声音意象形成的美学阐释  

Current Intuition and Aesthetic Imagination:An Aesthetic Interpretation Formed by the Sound Images in Pingshu Storytelling of Journey to the West

作　　者：安汝杰 An Rujie

机构地区：[1]平顶山学院,河南平顶山467000

出　　处：《阿坝师范学院学报》2025年第1期83-88,共6页Journal of Aba Teachers University

基　　金：2019年度国家社会科学基金重大项目“明清小说戏曲图像学研究”(19ZDA256)。

摘　　要：《西游记》评书中声音意象的形成与听书者的当下直觉密切相关,听书者以其全部感性能力作用于其所收集到的声音文本,将声音文本纳入已有的概念图式中,并在想象力的助力下,形成美的声音意象。听书者的想象再现不是毫无边际的随意发挥,而是以说书者的创造性想象为基础,这种想象又以《西游记》小说文本为前提。说书者的艺术理想在听书者的“内在生活”中有所显现,这一显现表象为声音元素由外向内的综合融摄的意识加工进程中,这一进程本质上是听书者审美意识外射自身而又复归自身的意识流转,它的基本指向就是面向未来,由未来来到当下,并在当下异变为过往的时间关联境域中形成声音意象的未来形态。The sound images formation in the Pingshu storytelling of Journey to the West is closely related to the present intuition of listeners.Listeners exert all their perception to act on the sound text they have garnered,incorporated the sound text into the existing conceptual schema.Eventually melodious sound images come into being via imagination.The listeners’imaginative representation is not a random and boundless play,but bases itself on the Pingshu storyteller’s creative imagination,which is premised on the text of Journey to the West.The artistic ideal of the Pingshu storyteller manifests itself in the‘inner life’of the listeners.This manifestation is represented by the consciousness processing in which the sound elements are integrated from without to within.This process in essence is a consciousness circulation in which listeners’aesthetic consciousness reflects itself and returns to itself.Listeners’aesthetic consciousness directs itself basically to the future,and then moves from the future to the present.Such consciousness is finally transformed into a future form of sound images in the time correlation domain as the present is mutated into the past.

关 键 词：《西游记》评书 当下直觉 审美想象 声音意象 

分 类 号：I207.41[文学—中国文学]