中缅扇文化对比研究  

Contrast Chinese and Myanmar Fan Culture

作　　者：庞明聪 PANG Mingcong(Yulin Normal University,Yulin Guangxi,537000,China)

机构地区：[1]玉林师范学院,广西玉林537000

出　　处：《文化创新比较研究》2025年第10期154-158,共5页Comparative Study of Cultural Innovation

摘　　要：扇文化,属于器物文化,既是一种独特的物质文化,也是一种形态丰富的精神文化。扇子的产生与发展与社会进步、政治、经济及文化等诸多因素有着密切关系,与人类生活紧密相关。该文采用文献分析法、对比研究法等,从中缅扇子的起源与发展、种类与制作、历史地位与社会功能这三个方面进行对比分析,以此来探讨两国在扇文化方面的差异,并试图为中缅的文化交流提供切入点。研究表明,中缅扇文化存在众多的异同,这些异同使得两国的扇文化之间拥有很大的交流空间,可为两国的文化交流提供一个全新的角度,促进两国文化交流多元化。Fan culture,as a form of material culture,represents both a unique physical artifact and a rich spiritual cultural expression.The emergence and development of fans are closely intertwined with social progress,political dynamics,economic conditions,and cultural elements,maintaining an intimate connection with human life.Through methodologies including literature analysis and comparative research,this paper conducts a tripartite comparative study encompassing the origin and development,categorization and craftsmanship,as well as historical significance and social functions of Chinese and Burmese fans.The research aims to explore cultural similarities and differences in fan culture between the two nations while seeking entry points for cultural exchange.Findings reveal substantial divergences in fan culture between China and Myanmar,which create significant potential for intercultural dialogue.Leveraging such cultural exchanges through fan culture could facilitate bilateral cultural communication from fresh perspectives,thereby diversifying cultural interactions between the two countries.

关 键 词：扇文化 器物文化 文化交流 发展 社会功能 对比分析 

分 类 号：G04[文化科学]