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作 者:岳进[1] YUE Jin
出 处:《东南大学学报(哲学社会科学版)》2025年第2期133-145,148,共14页Journal of Southeast University(Philosophy and Social Science)
基 金:陕西省社会科学基金项目“秦汉时期陕西山水图像研究”(2023J024)成果之一。
摘 要:秦汉时期的山水图文书写与北斗信仰密不可分。人间现世与天上仙境、生与死的对比转换中,山川被赋予神性,进入人们的观看与想象中。通过考察近年出土的汉墓壁画,可以更确切地了解关于天、地的信仰是如何以符号、文字和图像的方式传达出来,并与现今留存的汉赋文本相印证,进一步探寻这种观看、感知和想象世界的方式是如何与人们的身体发生联系,由天文、地文产生人文。During the Qin-Han Dynasties,the landscape painting swere intricately linked to the belief in the Northern Dipper.Through the contrasts and transformations between the earthly realm and celestial immortal realms,life and death,mountains and rivers were imbued with divine attributes and became objects of human observation and imagination.By examining the recently excavated Han tomb murals,this study elucidates how beliefs about heaven and earth were conveyed through symbols,texts and imagery and corroborates these findings with extant Han-era literary texts.It further explores how these modes of viewing,perceiving and imagining the world were embodied in human experience,evolving from celestial patterns(astronomy)and terrestrial configurations(geography)into cultural expressions(human culture).
分 类 号:K87[历史地理—考古学及博物馆学]
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