莫言《拇指铐》《鳄鱼》互文性解读——兼论莫言作品对名著的反模仿  

Intertextual Analysis of Mo Yan’s Thumb Cuffs and Crocodile:Also Discussing the Reverse Imitation of Literary Classics in His Works

作　　者：刘洪强[1] LIU Hongqiang(School of Literature,Shandong Normal University,Jinan 250014,China)

机构地区：[1]山东师范大学文学院,济南250014

出　　处：《鲁东大学学报(哲学社会科学版)》2025年第2期74-82,共9页Ludong University Journal:Philosophy and Social Sciences Edition

基　　金：国家社会科学基金社团项目“技术媒介与《西游记》现代传播机制研究”(24SGC098)。

摘　　要：莫言小说离不开对古代小说名著的模拟、化用、暗合、回应,有时还会反模仿。《拇指铐》从人物塑造、情节设置到用词,便无不与《西游记》有密切的关系,有理由认为《拇指铐》脱胎于《西游记》。此外,莫言其他作品中也可见与名著的互文性。莫言的话剧《鳄鱼》明显借径于吴敬梓《儒林外史》,数条细节表明前者化用后者;莫言《丰乳肥臀》塑造了一位终生离不开母乳的巨婴上官金童,但《聊斋志异》中偏偏有一位从小至老恐惧母乳的清代名人李象先,而上官金童的“嗜乳”与李象先的“畏乳”有渊源关系。Mo Yan’s novels are inseparable from the simulation,adaptation,allusion and response to ancient classic novels,and sometimes he uses reverse imitation.Thumb Cuffs is closely related to Journey to the West in terms of character creation,plot setting and word choice.It is reasonable to believe that Thumb Cuffs derives from Journey to the West.In addition,intertextuality with famous works can also be found in Mo Yan’s other works.Mo Yan's drama Crocodile is obviously inspired by Wu Jingzi's The Scholars,and several details indicate that the former adapts the latter.In Mo Yan's Big Breasts and Wide Hips,a giant baby named Shangguan Jintong is created who cannot live without mother's milk all his life.However,in Strange Tales from a Chinese Studio,there is a Qing Dynasty celebrity named Li Xiangxian who is afraid of mother's milk from childhood to old age.There is a origin relation between Shangguan Jintong's“addiction to milk”and Li Xiangxian's“fear of milk”.

关 键 词：莫言 《拇指铐》 《鳄鱼》 《西游记》 《儒林外史》 反模仿 

分 类 号：I207.41[文学—中国文学]