跨物种叙事的情感共鸣安娜·休厄尔《黑骏马》的动物意象与移情效应  

Emotional Resonance of Cross-Species Narratives:A Study of Animal Imagery and Empathy Effects in Anna Sewell’s Black Beauty

作　　者：项煜杰 XIANG Yujie(School of Foreign Studies,Anhui University,Hefei 230601,China)

机构地区：[1]安徽大学外语学院,安徽合肥230601

出　　处：《宁波大学学报(人文科学版)》2025年第3期82-89,共8页Journal of Ningbo University:Liberal Arts Edition

基　　金：国家社会科学基金重大项目“当代西方叙事学前沿理论的翻译与研究”(17ZDA281);教育部哲学社会科学研究后期资助项目重大项目“非人类叙事研究:从概念到批评”(22JHQ006)。

摘　　要：安娜·休厄尔《黑骏马》用第一人称叙述手法讲述黑骊的生命历程。小说通过黑骊的感官描写、心理刻画以及环境隐喻等建构意象。感官细节赋予动物的生理真实感,心理独白深化动物的情感表达,而草场、伦敦街道与瑟古德农场等环境变迁,分别隐喻了自由、束缚与救赎的命运轨迹。动物意象在空间上勾勒出自由、束缚与救赎的生态图景,在社会关系上呈现从工具到伙伴的身份转变,在文化象征上揭示人类对动物的工具化态度。第一人称叙述可以通过移情机制消解物种隔阂,使读者将黑骊的苦难、忠诚与希望投射为自身的情感体验,反思人类对动物的支配与利用关系。小说通过动物意象的文学呈现,唤起读者的情感共鸣,呼吁人类重视动物的尊严。Employing the first-person narrative technique,Anna Sewell’s Black Beauty tells the story of Black Beauty’s life.The novel uses sensory descriptions,psychological portrayal,and environmental metaphors to construct multiple layers of meaning within Black Beauty’s animal imagery:sensory details provide a physiological realism,psychological monologues deepen emotional expression,and the environmental changes between the meadow,London streets,and Thoroughgood’s farm metaphorically represent the trajectories of freedom,bondage,and redemption.The animal imagery plays a key role in the narrative,fulfilling a positioning function:spatially,it outlines an ecological landscape of freedom,bondage,and redemption;socially,it illustrates the shift from being an instrument to becoming a companion;and culturally,it reveals humanity’s objectification of animals.Through the first-person narration,the mechanism of empathy dissolves the species barrier,enabling readers to project Black Beauty’s suffering,loyalty,and hope as their own emotional experiences,prompting reflection on human dominance and exploitation of animals.The novel evokes emotional resonance and calls for greater attention to animal rights.

关 键 词：安娜·休厄尔 《黑骏马》 动物意象 移情 

分 类 号：I106[文学—世界文学]