新国画运动背景下潘天寿“借古开今”创作理念及其当代价值  

Pan Tianshou’s Creative Concept of“Learning from the Past to Forge the Future”and Its Contemporary Value in the Context of the New Chinese Painting Movement

作　　者：李培 梅娜芳 LI Pei;MEI Nafang(Pan Tianshou College of Architecture,Art and Design,Ningbo University,Ningbo 315211,China)

机构地区：[1]宁波大学潘天寿建筑与艺术设计学院,浙江宁波315211

出　　处：《宁波大学学报(人文科学版)》2025年第3期110-123,共14页Journal of Ningbo University:Liberal Arts Edition

基　　金：国家社会科学基金艺术学重大项目“中国近代以来艺术中的审美理论话语研究”(20ZD28);宁波大学重点教学研究项目“基于美育的美术通识课程跨学科教学策略研究”(JYXM2025012)。

摘　　要：20世纪上半叶,中国绘画界掀起了一场倡导西方写实主义与现代艺术创作风格相结合的新国画运动。相较于早期倡导者高剑父、陈树人等所秉持的“中西调和”理念,潘天寿选择了“借古开今”。他坚守民族传统,提炼了基于“心源”体悟下的写生观念,构建了围绕“观物度真”的取舍原则,拓展了中国传统笔法的应用范围。潘天寿将其创作理念与实践诉诸教学,亲身示范、传授技艺,编写与之相应的技法指导、艺术理论和美术史教材,同时积极举办展览、组织研究会等传播国画理念。潘天寿“借古开今”创作理念与实践为新时代中国画本体语言开拓、绘画教学探索提供了重要的参考。In the first half of the 20th century,a New Chinese Painting Movement advocating the combination of Western realism and modern art styles emerged in the Chinese painting circle.In contrast to the concept of“harmonizing Chinese and Western elements”held by early advocates such as Gao Jianfu and Chen Shuren,Pan Tianshou chose the path of drawing on the past to create the new.He firmly adhered to the national tradition,refined the concept of sketching based on the understanding of“inner source”,constructed the principle of selection centered around“observing objects to grasp the essence”,and expanded the application scope of traditional Chinese painting technique.Subsequently,he applied these creative concepts distilled from the national tradition to teaching.He set personal examples,imparted techniques,compiled corresponding teaching materials on painting techniques,art theories,and art history,and actively spread his concepts of New Chinese Painting through means such as holding exhibitions and organizing research associations.All these have provided valuable references for the exploration of the ontological language of Chinese painting in the new era and the corresponding teaching explorations.

关 键 词：新国画运动 中西调和 潘天寿 “借古开今” 

分 类 号：J222.7[艺术—美术]