冀东皮影在黑龙江的在地化研究——以望奎皮影戏为例  

Localization Study of Jidong Shadow Puppetry in Heilongjiang Province——A Case Study of Wangkui Shadow Play

作　　者：任浩砝 Ren Haofa(Department of Music,Hengshui University,Hengshui,Hebei 053000,China)

机构地区：[1]衡水学院音乐系,河北衡水053000

出　　处：《黑龙江工业学院学报(综合版)》2025年第2期98-101,共4页Journal of Heilongjiang University of Technology(Comprehensive Edition)

基　　金：衡水学院2023年度科研立项-河北省非物质文化遗产研究基地专项课题“冀东皮影在黑龙江的在地化研究”(课题编号:2023FYZX14)。

摘　　要：望奎皮影戏作为冀东皮影在黑龙江在地化的代表剧种,发展出独树一帜的“江北派”皮影戏,它背后反映出国家和社会的时代变迁,其中艺人生存语境从“民间在场”转换为“国家在场”,导致他们的身份认同产生变化,这使得皮影戏的文本形态与音声景观对这些变化发生相应的反馈,娱乐属性的缩减,仪式属性的内隐都是这些皮影艺人们身体叙事外化的产物。Wangkui Shadow Play,as a representative genre of Eastern Hebei shadow play localized in Heilongjiang,has developed a unique"Jiangbei School"shadow play that reflects the changes in the times of the country and society.The survival context of artists has shifted from"folk presence"to"state presence",leading to changes in their identity recognition.This has resulted in corresponding feedback from the textual form and sound landscape of shadow play to these changes.The reduction of entertainment attributes and the implicit ritual attributes are all products of the externalization of the body narrative of these shadow puppeteers.

关 键 词：冀东皮影 非物质文化遗产 在地化 望奎皮影戏 

分 类 号：J827[艺术—戏剧戏曲]