盛与衰:元代杭州形象的两种差异书写  

Prosperity and Decline:Two Different Writings ofthe Image of Hangzhou in the Yuan Dynasty

作　　者：吴光正[1] 杨文 WU Guangzheng;YANG Wen(School of Chinese Language and Literature,Wuhan University,Wuhan,Hubei 430072,China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《江西师范大学学报(哲学社会科学版)》2025年第2期121-128,共8页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金重大项目“中国宗教文学史”(编号:15ZDB069)。

摘　　要：宋元易代后,杭州依旧承担着全国文化中心的城市职能。借助城市空间的频繁营造、艺文活动的盛况空前、湖光山色的闲赏题咏等多文本书写,元人建构起杭州“湖山靡靡今犹在”的繁荣风貌。作为南宋旧都的杭州,胜国记忆借助士人生命、物质、图像等多种媒介得到顽强存续,激发了元人有关宋宫帝陵、西湖以及相关景观网络等“记忆之场”的文图书写活动。由此产生的“版荡凄凉”的书写景象,其主题鲜明、数量众多,形成了对杭州历史真实的认知遮蔽。胜国记忆与国朝体悟的纠缠与互动,共同塑造了元人有关杭州形象书写的复杂面貌。After the change of the Song and Yuan Dynasties,Hangzhou still bears the urban function of national cultural center.With the help of multi-text writing formats such as the frequent construction of urban space,the prevalence of artistic and literary activities,the leisurely appreciation of the lakes and mountains,etc.,the literati of the Yuan Dynasty constructed the prosperous landscape of Hangzhou,where“the lakes and the mountains are still gorgeous”.As the capital of the Southern Song Dynasty,the memory of the former kingdom survives tenaciously through various media such as the scholars,materials,images,etc.,inspired the Yuan literati to write about the Song Palace and the imperial tombs,the West Lake,the landscape network and other“les Lieux de Mémoire”in literature and images.The resulting writing scene,with distinct themes and rich quantities,has formed a cognitive cover of Hangzhou’s historical reality.The entanglement and interaction between the memory of the previous dynasty and the realization of the present dynasty together shaped the complexity of the Yuan’s writing about Hangzhou.

关 键 词：元代 杭州形象 易代记忆 国朝感悟 历史真实 

分 类 号：I206.2[文学—中国文学]