建筑空间的光影处理手法对比研究——以路易斯·康和阿尔瓦·阿尔托的作品为例  

A Comparative Study of Light and Shadow Processing Techniques in Architectural Space:Taking the Works of Louis Kang and Alvar Aalto as Examples

作　　者：郑振华 黄文雅 ZHENG Zhenhua;HUANG Wenya(University of Shanghai for Science and Technology,200093 Shanghai)

机构地区：[1]上海理工大学,上海200093

出　　处：《设计艺术研究》2025年第1期29-34,52,共7页Design Research

摘　　要：光影是建筑空间的灵魂。一座建筑,如其他生灵一般存在于自然中时,有了光影的陪伴,它便有灵魂。为了更好得探寻不同建筑空间光影处理手法的异同,研究对象选取了路易斯·康(Louis Kang)和阿尔瓦·阿尔托(Alvar Aalto)两位建筑大师的作品,对比他们在光影角度、载体以及组织上的异同。路易斯·康与阿尔瓦·阿尔托在对光影处理手法上的差异,对建筑空间和发光环境产生了重大影响。更重要的是,随着碳中和理念的兴起,这种方式可以为当代建筑设计的减碳提供有用的参考和指导。Light and shadow are the soul of architectural space.When a building exists in nature like other living beings,it has a soul when accompanied by light and shadow.In order to better explore the similarities and differences in the treatment of light and shadow in different architectural spaces,this paper selects the works of Louis Korn and Alvar Aalto to compare the similarities and differences in their light and shadow perspectives,carriers and organizations.It is found that the differences between Louis Kon and Alvar Aalto in their approaches to natural light have a signifi cant impact on the architectural space and luminous environment.More importantly,with the rise of the concept of carbon neutrality,this approach can provide useful reference and guidance for carbon reduction in contemporary architectural design.

关 键 词：光影处理 自然光 人工光 路易斯·康 阿尔瓦·阿尔托 碳中和 

分 类 号：J5[艺术—艺术设计]