基于模因理论的非遗展示空间创新设计研究——以浙江省非遗馆为例  

Research on the Innovative Design of Intangible Cultural Heritage Display Space Based on Meme Theory-A Case Study of Zhejiang Intangible Cultural Heritage Museum

作　　者：刘彤 于冬波[1] 李玉琢 LIU Tong;YU Dongbo;LI Yuzhuo(Jilin University of the Arts,Design College,Changchun 130000,China)

机构地区：[1]吉林艺术学院设计学院,长春130000

出　　处：《工业设计》2025年第4期138-141,共4页Industrial Design

摘　　要：为实现非遗展示空间的综合性展示,对非物质文化遗产(以下简称“非遗”)项目文化因子进行模仿,从而充分展示其整体特征,提升非遗文化的传播效果和观众的参与度。从非遗展示项目的文化因子中挖掘其主题、起源、发展历程、文化背景等信息,运用科技化手段,融入地域性特征,模仿打造情景式展示形式与互动体验空间。文章通过浙江省非遗展示空间中的创新设计,对展示项目的文化因子复制、变异与传播进行分析,将其充分运用于展示空间中。探索将非遗项目的内涵单一化展示形式,转化为文化因子持续深化的综合展示形式。以期为非遗文化的活态传承提供新的思路与方法,并为非遗展示空间的建设提供参考与借鉴。To achieve a comprehensive display of intangible cultural heritage(hereinafter referred to as"ICH")spaces,this study imitates the cultural factors of ICH projects to fully showcase their overall characteristics and enhance the dissemination effect of ICH culture and audience engagement.By extracting themes,origins,development history,cultural background,and other information from the cultural factors of ICH display projects,technological means are employed to incorporate regional characteristics and create situational display forms and interactive experience spaces.This article analyzes the replication,variation,and dissemination of cultural factors in the display projects through innovative design in the ICH display space of Zhejiang Province,applying these elements fully within the display space.The exploration aims to transform the singular display form of ICH project connotations into a comprehensive display form that continuously deepens cultural factors.The goal is to provide new insights and methods for the living heritage of ICH culture and to offer reference and guidance for the construction of ICH display spaces.

关 键 词：模因理论 非遗展示空间 创新设计 活态传承 

分 类 号：TU242.5[建筑科学—建筑设计及理论]