21世纪以来中美动画电影比较研究  

A Comparative Study of Chinese and American Animation Films since the 21st Century

作　　者：储双月[1] 郭萌萌 Chu Shuangyue;Guo Mengmeng

机构地区：[1]中国艺术研究院电影电视研究所 [2]天津传媒学院戏剧学院

出　　处：《云南艺术学院学报》2025年第1期51-59,共9页

摘　　要：21世纪以来中美动画电影在形象塑造、空间建构和叙事题材三个维度上均体现出各自的革新与创意。形象塑造上:中国动画电影对古典神话英雄加以现代化重塑,体现出“反英雄”的色彩,重铸了新神话与新英雄的内涵;美国动画电影则将童话故事文本中的经典形象以拼贴与戏仿的方式进行狂欢化改写,彻底颠覆了人们对经典童话形象固有的刻板印象。空间建构上:中国动画电影复刻与再现了本土化的文化空间,同时也主动汲取西方文化的审美趣味,打造出了具有跨文化视野的影像空间;美国动画电影则对异国文化空间进行开发、挪用与融合,其实质仍然是美式价值观念的传达。叙事上:中国动画试图打破古典神话传说的叙事窠臼,转而讲述当下的现实议题,开拓了中国动画电影的叙事题材;美国动画则走出童话叙事的陈旧套路,转向对日常生命美学的哲理性思考。Since the 21st century,Chinese and American animated films have demonstrated their innovation and creativity in three dimensions:image shaping,spatial construction,and narrative themes.In terms of image shaping,Chinese animated films mod-ernized and reshaped classical mythological heroes,reflecting the colour of“anti-hero”and recasting the connotation of new myths and new heroes.American animated films rewrite the classic images in fairy tale texts in the form of collage and parody,completely subverting people's stereotypes of classic fairy tale images.In terms of spatial construction,Chinese animated films rep-licate and reproduce the localized cultural space,while also actively drawing on the aesthetic interests of Western culture,creating an image space with a cross-cultural vision.American animation film develops,appropriates and integrates foreign cultural space,the essence of which is still the conveyance of American values.In terms of narrative,Chinese animation tries to break the classical myths and legends,and turns to talk about current realities,which opens up the narrative theme of Chinese animation film.Ameri-can animation,on the other hand,has stepped out of the stereotyped formula of fairy tale narrative and turned to philosophical thinking about the aesthetics of daily life.

关 键 词：动画电影 形象塑造 空间建构 叙事转向 

分 类 号：J954[艺术—电影电视艺术]