龟兹壁画颜料的在地性——以克孜尔81窟为例  

The Glocalization of Pigments in the Mural Paintings of Qiuci:An Example from Cave 81 of Kizil

作　　者：雷涛[1] Lei Tao

机构地区：[1]西北民族大学美术学院

出　　处：《云南艺术学院学报》2025年第1期96-104,共9页

基　　金：2023年度中央高校基本科研业务项目“中国岩彩画呈像方式及语言形态研究”(项目编号:31920230099)阶段性成果。

摘　　要：龟兹石窟艺术来源于印度石窟,在东传过程中无论从石窟开凿方式、形制、装饰方式等方面都形成了独有的特征。特别是在颜料的使用上,除了使用传统的矿物质颜料,利用当地特有的土质、沙质颜料,形成了独有的色彩关系和壁画绘制方法。这些特征在克孜尔石窟第81窟中体现得尤为突出,充分显示出石窟艺术在发展过程中的在地性特质。The art of the Qiuci Caves originated from the Indian caves,but in the process of transmission to the east,unique char-acteristics were formed no matter from the way of excavation of the caves,the shape,the way of decoration and other aspects.Es-pecially in the use of pigments,in addition to the traditional mineral pigments,the use of local specialties of earth and sand pig-ments,formed a unique colour relationship and mural painting methods.These features are particularly prominent in Cave 81 of the Kezil Caves,which fully demonstrates the local qualities of cave art in the process of development.

关 键 词：龟兹石窟 颜料 在地性 

分 类 号：K879.4[历史地理—考古学及博物馆学]