跨文化交融视域下唐卡艺术的历史流变与审美特征研究  

Study on the Historical Changes and Aesthetic Characteristics of Thangka Art under the Perspective of Cross-cultural Integration

作　　者：杨旦春[1] Yang Danchun

机构地区：[1]西北民族大学美术学院

出　　处：《云南艺术学院学报》2025年第1期105-111,共7页

摘　　要：唐卡是我国古老的绘画艺术。早在唐宋时期,唐卡艺术就已经成为连接中原,沟通中亚、南亚地区的重要媒介之一。近些年来,随着社会经济的发展以及唐卡在中原地区的普及,唐卡艺术的本质特征和审美功能等再次成为人们热议的话题。本文结合唐卡艺术的表现手法、绘画题材、文化内涵等,阐释了唐卡艺术的历史流变和审美特征。Thangka is an ancient painting art in China.As early as in the Tang and Song dynasties,thangka art has become one of the important media connecting the central plains and communicating with Central and South Asia.In recent years,with the eco-nomic and social development and the popularity of thangka in the central plains,the essential characteristics and aesthetic func-tions of thangka art have become a hot topic of discussion again.This paper explains the historical changes and aesthetic character-istics of thangka art by combining thangka's expressive techniques,painting themes,cultural connotations and so on.

关 键 词：跨文化交融 唐卡艺术 历史流变 审美特征 

分 类 号：J219[艺术—美术]