民族手工艺的现代化传承方式与优化路径——以傣族裁缝师徒制为例  

Modernized Inheritance Methods and Optimized Paths of Ethnic Handicrafts:Taking the Teacher-Apprentice System of Dai Tailors as an Example

作　　者：李飞宇 Li Feiyu

机构地区：[1]中央民族大学民族学与社会学学院

出　　处：《云南艺术学院学报》2025年第1期112-119,共8页

摘　　要：手工艺的现代化发展是传统手工艺适应现代社会的过程。在傣族服饰手工艺的传承中,裁缝师傅通过控制活动和编排力量对学徒进行身体上的规训,以审美展演和话语塑造学徒的审美观。师徒制的矛盾在于重生产轻传承,学徒有限的自由形成了张力,矛盾与张力的平衡维持着传承。面对边境地区经济发展、传统民族手工艺衰微的现状,传承的平衡被打破,可以通过立足地方社会、注入现代元素、完善传承机制,建立教育规范等路径探索现代化发展。The modernization of handicrafts is the process of adapting traditional handicrafts to modern society.In the inheritance of Dai costume handicrafts,master tailors physically discipline apprentices by controlling activities and choreographing power,and shape apprentices'aesthetics with aesthetic exhibitions and discourses.The contradiction between master and apprentice lies in the emphasis on production rather than inheritance,and the limited freedom of the apprentice creates tension,which maintains the in-heritance.In the face of the economic development of the border areas and the decline of traditional ethnic handicrafts,the balance of inheritance has been broken,and modernization can be explored through the paths of basing on the local society,injecting mod-ern elements,perfecting the inheritance mechanism,and establishing educational norms.

关 键 词：现代化 手工艺传承 身体规训 审美塑造 傣族服饰 

分 类 号：J527[艺术—艺术设计]